artsy fartsy conifers

Conifers as an Art Form

 

 

First edition 2022

                                                                                                                             

Total Pages .... 348

Color Pictures.... 550+

Size ............ 6” x 9”

book price …. $34.95 

 

                                                                                                                           

 Table of Contents

Introduction

Page 4

Chapter One: The Art of the Landscape Page 5
Part One: Public Gardens and Arboretums Page 5
Part Two: Private Gardens Page 14
Part Three: The Rock Garden Page 36
Part Four: The Container Garden Page 58
Chapter Two: The Mechanics of Grafting Page 74
Chapter Three: Creating Art Forms by Grafting Page 78
Part One: The Grafted Standard Page 78
Part Two: The Grafted Standard Gallery Page 81
Part Three: Grafted Standard/Dantsugi Cultivars Page 90
Chapter Four: Creating Dantsugi by Grafting Page 181
Part One: The Art of Dantsugi Page181
Part Two: The Process Page 184
Part Three: Two-Part Dantsugi and Gemel Page 186
Part Four: Three-Part Dantsugi and Gemel Page 206
Chapter Five: Creating Art Forms Through Topiary Page 212
Chapter Six: Creating Art Forms Through Bonsai Page 224
Part One: The Art of Bonsai Page 224
Part Two: Rooted Conifers For Bonsai Page 234
Part Three: Grafted Conifers For Bonsai Page 251
Chapter Seven: Bonsai Collections/Museums Page 268
Part One: National Bonsai and Penjing Museum Page 269
Part Two Pacific Bonsai Museum Page 282
Part Three: Elandan Gardens Page 302

 

There is a wholesale nursery in Oregon that advertises their conifers as art forms and living art. It is an idea that I first heard mentioned in the 1970s by Jean Iseli and furthered by Eddie Rezek. Unfortunately, they are both gone but played a substantial role in popularizing the concept of conifers as an art form. Jean was an avid conifer collector and nurseryman from Oregon, while Eddie was a retired mailman who lived on Long Island and worked with dwarf conifers in his specialty landscapes. They used two basic methods of turning individual conifers into art forms: grafting and training, often with selective pruning.

They were not alone with this idea. Alfonso Ossorio painted the landscape of his estate on Long Island with a palette of colors taken from the foliage of various conifers. He was an abstract artist who discovered the value of conifers for bringing year-round color into a landscape.

Jim Boyko was another nurseryman who enjoyed turning conifers into works of art. His specialty grafts and twisted trunks produced many exciting shapes and forms.

Predating the work of these men was Jon Spaan, a great grafter who enjoyed turning conifers into works of art. He did not have the palette available today, but he laid a lot of the groundwork for the artists who followed him.

With their year-long foliage that will sometimes change colors with the seasons, Conifers are perfect plants for creating art in the garden.

Of course, the oldest use of conifers as art forms started many years ago with the development of the art form known as Bonsai. Three spectacular Bonsai museums are included in this book with many photographs of their displays.

Artsy/Fartsy Conifers is a book that can be enjoyed by anyone who loves plants. It is not a technical book. It is a book developed for the person who appreciates the beauty that can be displayed by the mundane plant called a conifer.

Click on the thumbnails below to see actual pages from this book.

 

 

 

 

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